The London fashion week presents the latest man fashion 2017
The transformation in our world today is currently not just a positive request. It is about survival. All forces are under stress and there is no understanding that anyone remains indifferent to this topic. Also in fashion don’t. The sustainability and environmental protection, parallel to political and historical messages have been the main aspects on the London fashion week for men’s fashion. Can you really get things moving this and want it at all? Or is this another sales strategy? The questions we leave and represent just moments from the show, which lead to an appropriate response.
The sociocritical exclamation of 2017 m fashion
What should we believe in the words or actions? Vivienne Westwood is reflected through several articles against injustice in the world. Also she speaks openly for the use of fewer clothes in the luxury industry. At London fashion week, the illustrated men’s fashion collection was a demonstration against climate change.
That was the political and social aspect. On the other hand, represented fashion pieces are real works of art and are certainly not in too many offered and sold. You have a strong symbolic meaning, which stands for a new direction in fashion.
Streetstyle and war as a primary stimulus
Symbols of the wars
The same direction can be observed also in other designers and their collections. Has always been the military style was represented on the fashion podiums. In the collection of Christopher Raeburn about. But it looks rather daunting, as chic. The clear message behind it should be interpreted probably something like this: we find no favor more on the war, but much more responsibility for the people on this earth.
Military green and outdoor fabrics
With hoods you can remember 2017 the fashion trends
Fashion nomads across the times
Sporty and well-equipped
This has been expressed also evident in the press release on the exhibition.
Military style in comfortable fabrics and patterns
Very original, but somehow very modest, so persistent is also a number of other collections. For example the work of Jonathan Anderson is so. The military aspect is also present, because the shape and layering clothing very much reminiscent of equipment. But a peaceful message to read items through the comfortable fabrics and the peaceful ethnic.
The political events move fashion
More sporty style and parent life symbols
Athletic clothing in a very rough style was seen on the catwalks. The emphasis was on the equipment, which includes everything for a parent life camp. In a positive complementary world we would consider these collections as adventurous. But given the current circumstances we have rather suggested it as allusion to imminent danger.
Between these dark collections seemed some more elegant as pure exoticism. And also as arrogant. Yet it remains – there are many collections with strong effect. They are not very wasteful, however, carefully placing the expensive and effective textiles only at key points.
Gangster-style is again at the forefront in the street fashion
The collections for the street fashion by Astrid Andersen are an example of what I have just said. It combines Hip-Hop and basketball player style. The models are jazzed up with details of velvet and fur. By the way, these two materials are super popular in all areas of fashion and design in the year 2017.
Through sport, also the streetwear inspired clothing by Christopher Shannon. This is indicated by the colors like neon yellow for example and also side with buttons zippered pants.
Social problems, which finds expression through fashion
Also the urban fashion is refined in this year
Pose or expression in a genuine setting? Or the fashion takes up her role as art and want to simply reflect the trends in the thinking of the people? You to decide that! As a marketing strategy, it works well in any case, for the London fashion week 2017 has been clearly very attractive to the viewer and therefore successful.
The generous footprint Westwood
The London fashion week – a heavy load of social criticism
Weatherproof materials accompany rigorous models and colors in the winter collection by Christopher Raeburn
Astrid Andersen stresses the sporty line
The character sign of Christopher Shannon
The vision for clothing as a critique against climate change
modern Warrior and equipment
strong British presence
The war-inspired accessories and outerwear